Titus.2

Why should the brass get to play all of the fanfares? This a thrilling and unique concert opener for wind ensemble, minus brass, allows your band to stand out while the brass get to take a well-deserved

Set primarily in a march-like style with a more lyrical song-like interlude, this work (originally for brass quintet) has been adapted for flexible 5-part wind band with optional percussion. It opens with

Give your developing orchestra a chance to explore jazz and blues with this creative original work. Written in twelve-bar blues form and using notes based on the blues scale, musicians will get great

Based on the gorgeous 17th century chorale, Lo How a Rose E'er Blooming, Always Blooming is contrastingly fast and energetic and features every section of the band, especially the percusisonists!

This gorgeous setting of the ever-popular anthem has been rescored for six-part flex band. While preserving the beauty of the hymn, the fresh and somewhat contemporary accompaniment never strays too far

This gorgeous setting of the ever-popular anthem is creative and majestic. While preserving the beauty of the hymn, the fresh and somewhat contemporary accompaniment never strays too far from the simple and

Three popular American hymns - Cleansing Fountain; Amazing Grace and Come, Thou Fount - explore the wide range of the concert band's capabilities and incorporate some fresh and

An excellent choice for concerts and festivals - and an accessible and fun addition to any program. A tribute to community bands in America, this piece has a great Americana sound with exciting percussion

Kick things off with this fast-paced swing chart that will get everyone dancing. Opening with a chorale-style introduction, this tune then shakes it up by diving into the swing section. Featuring solos for

Andromeda is a space fantasy about a fictional light to the Andromeda galaxy, the largest galaxy next to our own Milky Way. This programmatic work features Gillingham's signature chromaticism and

You'll want to grab the reins of the nearest chariot when you experience the action of this wonderfully descriptive work. Thundering percussion provides the fuel throughout, and the parts are well within

From the warmth of the opening chords you begin to sense the breadth of this piece. Based on Poor Wayfaring Stranger, the first half is poignant and touching, then turns surprisingly exuberant and

Originally scored for tuba/euphonium quartet, this work has been adapted for four-part flexible winds with optional percussion and is playable by any combination of instruments in the ensemble. It is based